We're excited to team up with Magnolia Pictures to bring you access to some incredible documentaries about some fabulous books & authors, available to watch from the comfort and safety of your own home, and Fiction Addiction earns 30% of the ticket price for every sale! Below you'll find information about the films, with links to purchase your ticket for a 3-day rental period, plus suggested reading lists for each film.
In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends—Medgar Evers, Malcolm X and Martin Luther King, Jr.
At the time of Baldwin’s death in 1987, he left behind only thirty completed pages of his manuscript.
Now, in his incendiary new documentary, master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words and flood of rich archival material. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for.
Toni Morrison: The Pieces I Am offers an artful and intimate meditation on the life and works of the legendary storyteller and Nobel prize-winner. From her childhood in the steel town of Lorain, Ohio, to ‘70s-era book tours with Muhammad Ali, from the front lines with Angela Davis to her own riverfront writing room, Toni Morrison leads an assembly of her peers, critics and colleagues on an exploration of race, America, history and the human condition as seen through the prism of her own literature. Inspired to write because no one took a “little black girl” seriously, Morrison reflects on her lifelong deconstruction of the master narrative. Woven together with a rich collection of art, history, literature and personality, the film includes discussions about her many critically acclaimed works, including novels The Bluest Eye, Sula, and Song of Solomon, her role as an editor of iconic African-American literature and her time teaching at Princeton University.
In addition to Ms. Morrison, the film features interviews with Hilton Als, Angela Davis, Fran Lebowitz, Walter Mosley, Sonia Sanchez and Oprah Winfrey, who turned Morrison’s novel Beloved into a feature film. Using Timothy Greenfield-Sanders’ elegant portrait-style interviews, Toni Morrison: The Pieces I Am includes original music by Kathryn Bostic, a specially created opening sequence by artist Mickalene Thomas, and evocative works by other contemporary African-American artists including Kara Walker, Rashid Johnson and Kerry James Marshall.
Raise Hell: The Life and Times of Molly Ivins tells the story of media firebrand Molly Ivins, six feet of Texas trouble who took on the Good Old Boy corruption wherever she found it. Her razor sharp wit left both sides of the aisle laughing, and craving ink in her columns. She knew the Bill of Rights was in peril, and said "Polarizing people is a good way to win an election and a good way to wreck a country." Molly's words have proved prescient. Now it's up to us to raise hell!
Gonzo is the definitive film biography of a mythic American figure, a man that Tom Wolfe called our “greatest comic writer,” whose suicide, by gunshot, led Rolling Stone Magazine, where Thompson began his career, to devote an entire issue (its best-selling ever) to the man that launched a thousand sips of bourbon, endless snorts of cocaine and a brash, irreverent, fearless style of journalism - named “gonzo” after an anarchic blues riff by James Booker.
Borrowing from Kris Kristofferson, Thompson was a “walking contradiction, partly truth, mostly fiction.” A die-hard member of the NRA, he was also a coke-snorting, whiskey-swilling, acid-eating fiend. While his pen dripped with venom for crooked politicians, he surprised nervous visitors with the courtly manners and soft-spoken delivery of a Southern gentleman. Careening out of control in his personal life, Thompson also maintained a steel-eyed conviction about righting wrongs. Today, in a time, when “spin” has replaced the search for deeper meaning, Thompson remains an iconic crusader for truth, justice and a fiercely idealistic American way. Like Jack Kerouac’s On the Road, his book Fear and Loathing in Las Vegas (and the movie made from it) remains a wanderlust myth for generation after generation of American youth. And for America’s most esteemed journalists – from Tom Wolfe, and Walter Isaacson (former editor of Time) to the NY Times’ Frank Rich – he remains an iconic freelance, never afraid to gore every sacred cow in his path. He believed that writing could make a difference. It could change things.